ltmurnau: (CX)
Last night was another Circuit Breaker, this one marked the 2 1/2 year point for the night!

My setlist:

Throbbing Gristle – Hot on the Heels of Love
Nash the Slash – Reactor #2
Trans-X – Living on Video
Die Krupps – Wahre Arbeit Wahre Lohn
Gothic Archies – The World is a Scary Place
Volt 9000 – Speak and Spell
Einsturzende Neubauten – Tanz Debil
Dirtdish – Motor Rape 2000
Skinny Puppy – Chainsaw
Front Line Assembly – Final Impact
Boris Karloff – Civil Defense PSA
Soviet Radio – Dark Days
Chris and Cosey – Love Cuts
Club 69 – Warm Leatherette
Ionic Vision – Synthetic Sex
Orange Sector – Violent Order
I: Scintilla – Skin Tight
Nousuf-X – Krach Bumm
Cynical Existence – Face of God
Mechanical Moth – Gateway
Funker Vogt – Mein Weg
Rotersand – Lifelight (reconstructed)

In the last month or two I've set up a Facebook group and a new website for the event:

https://www.facebook.com/#!/groups/638960126129510/
http://circuitbreakerclub.org/

ltmurnau: (CX)
[Reposted here from my game design blog http://brtrain.wordpress.com with some additions, well cut-and-pasted since I don't think I can automatically repost to LJ from Wordpress. Eh, anyway...]

Earlier this year I was contacted by Marc Guenette who wanted to know if I wanted to be one of the Guests of Honour at Stack Academie, an annual wargaming conference in Montreal. Gee, would I!

I went to Montreal a day or two early, on Tuesday April 30, since I had not been in the city for 24 years and wanted some time to look around. I flew Air Canada and everything went suspiciously smoothly, to the point where I even arrived a few minutes early. I took the 747 bus from Trudeau Airport (what was once called Dorval), it runs about every 7 minutes or less most of the day, very convenient though you have to buy a transit daypass – $9.00 but that’s 24 hours on the whole transit system, other parts of which you will probably need to use to get to your destination. However, I didn’t because the hotel (an otherwise unremarkable Comfort Inn) was right downtown – just around the corner from the 747 bus stop, 1 ½ blocks from the Berri-UQAM Metro stop, and 2 blocks from St. Catherines Street, the main drag for restaurants shops and bars.

Montreal after 24 years seemed much as I remembered it (which is barely, as I was more interested at the time in my then girlfriend, who was doing electrical engineering at McGill). Half of it is being torn down or rebuilt, and the other half is being measured for the same treatment. There was a heatwave, and it was sunny and 22-27 degrees all week long. And me without shorts, in fact at the last minute I decided not to pack my cardigan (however, two guys at the con told me that two years before there had been pouring rain and wet snow on the streets).

Wednesday I did a little bit of shopping, at some Army surplus stores on St.-Laurent and at Le Valet de Coeur (Jack of Hearts), a good wargame store not far up the street. I even found a few old DTP quality titles of mine, from Schutze Games (Pusan Perimeter, Somalia), still in the old comic book bags. I got a couple of back issues of Vae Victis, a French wargaming magazine with interesting games in it, a copy of Battle for Hill 218, a simple card abstract game, and two little finger puppet characters they were selling near the cash register. They were all kinds of historical characters like Edison, Leonardo and some others, but there were also others like Hannah Arendt, Frida Kahlo, Spinoza etc.. The little Michel Foucault puppet was especially funny, but I got a Che Guevara for Lianne and a George Orwell for me, so they can have mild disagreements. Anyway, a neat store. Here is George in my office, looking as happy as he ever did in life.


Wednesday night I went out to Bar Passeport, (http://www.barpasseport.com/) which has not one but two EBM/Industrial/Goth nights! One on Wednesday is more EBM/industrial (e.g. Funker Vogt, And One, Eisenfunk) and less well attended than the one on Saturday. I don't go out to bars much except for Circuit Breaker and when seeking out such nights when I'm in a different city, but one thing I did notice is people being tied into their mobile devices, even saw one guy dancing by himself on the floor with his beer in one hand and his mobile in the other, absorbed in whatever was coming in over it....

Thursday I spent the afternoon and evening at the Interuniversity Consortium for Arab and Middle Eastern Studies (http://www.mcgill.ca/icames/), where Rex Brynen (of Paxsims blog fame) is one of the Directors. He had set up a micro-armour game that he umpired, while six of us directed the forces of Natonia (guy called Tom) and East Norkea (me) in the “Battle of the Namgang River”. A shot of one of the tank battalions heading down the road into the "Cauldron of Death":


A full account with pictures is at http://genericgaminggoodness.wordpress.com/2013/05/07/the-battle-of-namgang-aka-the-battle-of-the-cauldron-of-death/ . It was tremendous fun, even though I lost most of my command in a huge Natonian ambush. Even worse was a missed chance to take out his two tank unit commanders by infiltrating East Norkean commandos, who lofted RPG rounds onto the tops of their tanks, only to see the rounds fizzle and misfire (I rolled two 1s in succession, the only thing that could have saved their collective bacon!). It was very kind of Rex to arrange this, as he and I had first met 30 years ago while he was doing at history degree at the University of Victoria and I was a high school student who would go to the weekly meetings of the Gaming Club there. We would have these massive micro-armour battles, usually with Rex’s models, but as he collected mostly Warsaw Pact stuff we usually played Russian vs. Chinese. (Actually, we were playing with some of the same models and terrain from back then!)

Friday was the beginning of the convention, and we got right down to it – the other guest of honour was Volko Ruhnke, who ran games of Cuba Libre, his COIN system game of the Cuban Revolution, while I ran games of A Distant Plain. I also demonstrated Kandahar (in its present configuration with the District Commander engine under the hood), 1848 (a rarely-seen because rarely-requested game on the European revolutions of that year) and Dios o Federacion (card game on post-Chavez Venezuela). Even got in a few playtest turns of the last one. A Distant Plain was a big hit, a lot of people stopped by to look and we even had one young fellow who had never played before but still managed to pull off a quick win by the Coalition, a difficult thing in this game – he moved in lightly, manufactured a lot of popular consent for the Afghan Government, and pulled out, ending the Western role in the war in 2004!


I met a lot of people who I had only corresponded with online, through Boardgamegeek or Consimworld, so it was great to put names to faces – also to see people again after some time, like Volko, Michel Boucher and Barry Setser. I came away with some excellent ideas for future game projects and extensions or fixes to ones I am testing now. I wish these events were at least a week long, so I could have conversations of appropriate length with everyone I wanted to talk to. Jean-Francois Tremblay, a re-enactor when he is not instructing at UQAM, showed up in period gear to play Volko's game Wilderness War:


Saturday night we went out to Le Pied de Cochon, a very popular (you have to make reservations a month or two ahead) restaurant with most of the menu devoted to pork products (one favourite special is “Pig’s Head For Two”, at market price though I did not think price fluctuations for such a commodity would be extreme) and the remnant devoted to other meats (another great favourite is “Duck in a Can”, and that’s just what it is). Even my French onion soup had most of a small pork chop in it, it seemed. I paid a bit much for what I got, since there were several bottles of wine on the table I did not drink from, but it was still a worthwhile experience… probably never pass that way again.

After dinner I went out to Bar Passeport again, music led off with some good Goth oldies (Siouxsie, Sisters of Mercy) but soon gravitated towards newer stuff (though they also played some Laibach!).

Sunday I had breakfast with Rex, Volko and his wife Jill (it was the weekend of their 22nd wedding anniversary) and got back in time to finish packing and head out to the airport. Again, things went smoothly and we even landed 48 minutes early in Victoria (they asked us over the PA to remember this the next time they were late).

It was a great week and I was honoured to be asked to come by Marc, who was a fantastic and generous host, taking time to talk with me even though he was run off his feet with convention business and real-life business. Merci a tous!

ltmurnau: (CX)
.. but as usual a lot has been happening.

Games

Publishing schedule is now:

- Finnish Civil War (1918) in #82 of Paper Wars magazine, later 2013 or early 2014.

- Greek Civil War (1947-49) in #11 of Modern War magazine, summer 2014 (publisher had me adapt the game's "Algeria" family system to a COIN system Joe Miranda will introduce for his Iraq game in Modern War #6, but it wasn't hard to do and I managed to keep the flavour of the game)

- Next Lebanon War (hypothetical 201? IDF invasion) in #13 of Modern war, fall 2014. New system very loosely based on Joe Miranda's Bulge 20, shows asymmetry between high-tech conventional IDF and inchoate Hezbollah quite well I think - was to go in issue #9 but DG's publisher thinks an attack on Iran is more likely, so mine got pushed back for a game on that instead. I hope we're both wrong.

- Kandahar (2009-10 COIN in Afghanistan) in #17 of Modern War, summer 2015. Had an ambitious and intricate COIN system like a very upgunned Algeria that worked quite well and did a lot, in many subtle ways. But publisher thought it was too complex for a magazine game (they figure people want to spend 20 minutes or less learning the rules and plan to play these things possibly twice before the next issue comes out), so dropped in the District Commander engine for it (see below), which runs faster.

- Green Beret (1964 Central Highlands Vietnam, before US intervention) in #18 of Modern War, summer 2015

- Palace Coup, simple small multi-player game about a coup in an imaginary country, sent to Victory Point Games in the winter, they liked it but haven't heard from them lately

- EOKA (Cyprus 1955-59), been shopping this around but it's too obscure a subject, a guy made a very nice map for it but wants to put it on Kickstarter and I have my doubts. Sometimes I just want to dump these things on Wargamedownloads.com and let the 25 or 30 people who really want it, have it for $9.95 and then I'm shut of it.

- District Commander, COIN in a generic Red vs. Blue setting, just to test the engine which has three levels of complexity (diceless, diceless with chits, 1d6). I designed it with classrooms in mind, and in developing historical scenarios for it later (e.g. Helmand, Al-Anbar province, etc.). Kandahar will be the first such, now.

- Dios O Federacion, just worked this one out, it's a multiplayer card game on the power struggle in post-Chavez Venezuela (though really it's the setting for an engine I want to test out). Meant to point up the tension between expending resources on building one's own power base and battling others, and expending resources to solve common economica dn social problems which if left unattended make things worse for everyone, quickly. And you can do a coup.

Next week I am going to Montreal for six days for "Stack Academie", a game convention where I am Guest of Honour (!) with Volko Ruhnke. We are finishing off the last bits of A Distant Plain (our game on Afghanistan), which will be a major focus, and will cause some stir when it comes out in August. I haven't been in Montreal for 25 years, taking an extra day or two to walk about and see what's what. I don't care for flying anymore but I am looking forward to this. Also haven't spoken any French for 25 years, we'll see how much of it comes back.

Music

Circuit Breaker has been chugging away monthly, quite nicely! Two-year anniversary in January. Have started a Facebook group for it now, don't know what took me so long.

Setlists:

January 12, 2013 – Two Years of Circuit Breaker!

Murnau

Deutsch Amerikanische Freundschaft - Co Co Pino

Klaus Nomi - Cre Spoda

Nash the Slash - Wolf

Cabaret Voltaire - Doom Zoom

Neon Judgement - Chinese Black

Severed Heads - Mambo Fist Miasma

Chris and Cosey - Pagan Tango

Suicide Commando - Better Off Dead (remix by Dive)

Blutengel - Der Spiegel

Manufacture - Armed Forces

Feindflug - AK47

Apoptygma Berzerk - Friendly Fire

Tactical Sekt - Syncope

Clan of Xymox - Emily

Aircrash Bureau - 120 BPM

Ayria - Insect Calm

Legend - Benjamite Bloodline

Otto Dix - Ostrazhenie

Komor Kommando - Love Your Neighbour (request)

Neuroticfish - Prostitute (NYC club edit)


February 10, 2013

Murnau set list:

Nash the Slash - Reactor #2
Portion Control - Divided
Chris and Cosey - Pagan Tango
... Cabaret Voltaire - Doom Zoom
John Foxx - Underpass
Skinny Puppy - Deadlines
Kraftwerk - Numbers
Ege Bam Yasi - This is an Egg
Front 242 - Operating Tracks
Severed Heads - 4WD
Funker Vogt - Child Soldier
Covenant - Dead Stars
Mechanical Cabaret - Let's Go to Bed
2Bullet - Army March Drawn Sword Police
Combichrist - This is my Rifle (AK-47 remix)
Orange Sektor - Endzeit
Straftanz - Blood In Blood Out
Wumpscut - Krieg
AD:Key - Gruene Augen Luegen


March 10, 2013

DJ Murnau

Nash the Slash – Wolf
Einsturzende Neubauten – 3 Thoughts
Nash the Slash – Reactor #2
Portion Control – Chew You to Bits (rebuild)
Danse Macabre – She Believes
John Foxx – He’s a Liquid
Chris and Cosey – Exotica
Skinny Puppy – Chainsaw
Matt Sharp – We Have a Technical
Spine of God – Stripped
Covenant – Like Tears in Rain
Combichrist – God Wrapped in Plastic
Nachtmahr – Boom Boom Boom
Rotersand – Life Light
Technoir – Darkest Days
Apoptygma Berzerk – Friendly Fire
Ayria – The Gun Song
Orange Sektor – Polizisten

April 14, 2013

DJ Murnau

Test Dept - Long Live British Democracy (Which Has Flourished And Is Constantly Perfected Under The Immaculate Guidance Of The Great, Honourable, Generous And Correct Margaret Hilda THATCHER. She Is The Blue Sky In The Hearts Of All Nations. Our People Pay Homage And Bow In Deep Respect And Gratitude To Her, The Milk Of Human Kindness)
Test Dept - Legacy
Klaus Nomi - Ding Dong The Witch Is Dead
Attery Squash - Devo Was Right About Everything
Digital Emotion - Go Go Yellow Screen
Welle: Erdball - Tanzpalast 2000 (Commodore 64 version)
Kraftwerk - Die Modell
Nash the Slash - Swing Shift
Gary Numan - Cars (Dave Clark remix)
Prayer Tower - Warm Leatherette
John Foxx - 030
Clan of Xymox - Emily
Assemblage 23 - Surface
Spine of God - Stripped
Solitary Experiments - Star
AD: Key - Gruene Augen Lugen
Hocico - The Intruder
Ayria - Hunger
Eisenfunk - Citizen


Jeez

And now this:

"A bill that would revive some provisions of Canada's Anti-terrorism Act will get a final vote in the House of Commons Wednesday night.

The bill — known as S-7, the Combating Terrorism Act — would bring back two central provisions that were originally instituted by the Jean Chrétien government after the 9/11 attacks in New York in 2001 but were "sunsetted" after a five-year period.

One allowed for "preventative detention," meaning someone can be held without charge for up to three days just on suspicion of being involved in terrorism. The person can then be bound by certain probationary conditions for up to a year, and if he or she refuses the conditions, can be jailed for 12 months.

The second provides for an "investigative hearing" in which someone suspected of having knowledge of a terrorist act can be forced to answer questions. The objective is not to prosecute the person for a criminal offence, but merely to gather information.

If he or she refuses, that person can be imprisoned for up to 12 months. When the Harper government, during its first term, tried to bring back the terrorism measures in 2007, the Liberals opposed the move. Now, however, the government has Liberal support and only the official Opposition, the NDP, is protesting the bill.

The bill has already been though the Senate, and has been awaiting third reading in the Commons for months, but was rushed suddenly into debate on Monday in the wake of the Boston Marathon bombings. A final vote expected Tuesday was deferred for a day.

Opposition critics have accused the government of trying to exploit the events in Boston and have skeptically pointed out the coincidence of pushing the bill to debate on the same day a major terrorist arrest was announced in Toronto.

In debate, the NDP pointed out it had proposed 17 amendments to the bill at the committee stage, but all were rejected by the Conservatives, who dominate the committee.

The Liberals support the bill and proposed no amendments."


I suppose this is as close as They feel they can come to a home-grown Patriot Act, at least for now. And I also find it difficult to believe that the arrest of those two useful idiots on Monday, who apparently had been under uneventful surveillance for a year and hadn't worked up to do anything yet, was not somehow coordinated with the Prime Minister's Office and the near-railroading of this bill (though with the help of the Liberals, it will be a slam-dunk).
ltmurnau: (CX)
An interesting take on drones, from teh Chronicle of Higher Education:

***
March 11, 2013

In the Shadow of Drones

Geoffrey Moss for The Chronicle Review
By David O'Hara And John Kaag

According to legend, at the battle of Thermopylae, the Persians' king, Xerxes, threatened to fire so many arrows at the Spartan soldiers blocking his invasion of Greece that the shafts would darken the sky. The Spartan Leonidas' famous response? "Then we shall fight in the shade." Today, as a growing number of our drones overshadow militants half a world away, it might be a good time to revisit this exchange between the two leaders at Thermopylae.

Leonidas' reply wasn't just bravado; it was contempt. Xerxes probably had no idea how weak his boast made him look. The Spartans were probably not armed with bows, just spears and short swords. The Spartans liked it that way; to fight at a distance was a sign of cowardice. Having been brought up in a strenuous militarist state, Spartan soldiers gladly risked their lives in battle in a way that most of us would find incomprehensible.

Plutarch's records of what Spartan mothers said to their sons as they sent them off to battle indicate that one of the worst things a Spartan could do was throw a weapon to save his skin. "Come back with your shield—or on it," some mothers would say. A son who dropped his shield or weapon was too cowardly to face his opponent, or so frightened of battle that he jettisoned his armor to lighten his load as he ran away. The mothers were saying, in effect, "If you don't come back with your weapons, I'll kill you myself, because I won't have a living coward for a son."

That may sound harsh or outdated—to send your son into hand-to-hand combat when technology existed that could kill his enemy at a distance—but perhaps the Spartan mothers were concerned not just with winning battles, but also with what kind of people their sons would become.

The fact that throughout history we have found certain killing technologies to be uncivilized is instructive. Pope Innocent II banned crossbows and slings in 1139. And some critics of the U.S. drone program still regard fighting at an anonymous distance as underhanded or illegitimate.

We are reminded of the French pilot Trou­in in Graham Greene's 1955 novel The Quiet American. Trouin didn't mind strafing his enemies when they could fire back, but he despised being commanded to drop napalm bombs from a safe height, where small-arms fire could not reach him. "We are fighting all of your wars, but you leave us the guilt," he complains. Others, far away, give the orders, and he must live with the consequences of having killed men who had no chance to fight back.

Today we take the effectiveness of drone strikes to be their legitimation. In our national mythology, we celebrate the Spartan virtues of our military, but at the same time we are becoming increasingly Persian. The ease of our lives makes it difficult to comprehend coming home on our shields. In John Brennan's testimony during recent hearings to confirm him as director of the Central Intelligence Agency, we hear the echoing threats of Xerxes, suggesting that technological superiority can allow us to win wars without really fighting them.

Brennan suggested that drone strikes were used as "a last resort to save lives," presumably soldiers' lives and the lives of those who might be threatened someday by terrorists. Those lives are undoubtedly worth saving, but we also discern in his remarks a growing sentiment about the future of armed conflict: that we do not need to be invested in direct warfare, because now we have use of "targeted lethal force." We no longer need to risk personal injury in actions of "last resort." All we need are arrows—that is, drones.

Of course, Spartan-style cultures, in which people are willing to fight in the shadow of certain death, have their own problems. The Spartan mentality arises in cultures that are often decidedly undemocratic and anti-intellectual. They emphasize not just physical bravery but also self-abnegation and blind devotion to a cause. Often they are unflinchingly invested in conflict simply because they have to be, lacking or eschewing the technological devices that would shield them from harm.

In other words, these martial values arise in communities that embrace Islamic extremism.

And so we rush to fill the sky with modern-day arrows to destroy the modern-day Spartans.

But it is not that simple.

The Persians hoped that their weapons would bring enemies to their knees, but the promised attack only emboldened them. Xerxes' superior forces eventually won that battle, but the legend of the Spartans' stand at Thermopylae gave their compatriots both time and spirit, and the Persians were eventually defeated. Ironically, the weapons that Xerxes hoped would win the war with a minimum of casualties only served to strengthen his enemy's resolve.

In the Brennan hearings, Senator Susan Collins, Republican of Maine, raised exactly that concern, quoting retired General Stanley McChrystal, who said recently: "The resentment created by American use of unmanned strikes is much greater than the average American appreciates. They are hated on a visceral level, even by people who have never seen one or seen the effects of one."

The use of certain kinds of weapons might just convince our enemies that we lack the courage of our convictions, or that our weapons are both symptom and disease of a culture willing to kill as long as we don't have to see the fighting. Rather than dismiss that allegation, we should work to ensure that our enemies would be wrong to reach that conclusion.

If we are wise, we will be concerned with more than just winning today's battle. Our soldiers' lives are immeasurably precious, and we should not risk them without grave cause. But surely their souls, and the soul of our nation, are precious, too.

What happens to a soldier who is asked to kill more and more anonymously? What happens to a people who condone deadly hellfire from the sky, triggered 10,000 miles away, and then never know it has fallen? To a people unable to imagine that anyone could regard a cloud of incoming arrows as a pleasant shade to fight in? Or to a people for whom the expediency of drones and the avoidance of risk are sufficient to dismiss any ethical concerns they might engender?

David O'Hara is an associate professor of philosophy and classics at Augustana College, in South Dakota, and John Kaag is an assistant professor of philosophy at the University of Massachusetts at Lowell.
ltmurnau: (CX)
So, this week Stompin' Tom Connors died, as everyone knows.
I was not a great fan of his music, it was simple and kind of corny, but it was authentic music coming from an authentic man who had had a genuinely hard life.
One of his songs I liked best was "Tilsonburg", about the shitty life tobacco pickers in Southern Ontario led, and you knew he had been and done.
He also remained the kind of patriot you'd like to have more examples of around: dedicated to Canada's working class and to treating Canadians as friends, not the drunken yahoo with maple leaf face paint and a red-and-white diaper waving the flag on Canada Day.

This article puts it well, with more videos: http://canadiandimension.com/articles/5218/

But this week I also found out that one of my personal favourites, Nash the Slash, has finally hung up his bandages.

From his website, nashtheslash.com:

It's time to roll up the bandages. The thrill is gone, it seems for me more than B.B. King.

I'm proud of my remarkable 40-year career in the music biz with no hit (commercial) records. As an independent artist without management, major label support or any grants whatsoever (thank you Canada Council and Factor), I toured internationally and accomplished so much. I was unique on stage and on my recordings. I refused to be slick and artificial. I opened for and toured with some of the best musicians in the world, and was regarded highly by my peers. Rolling Stone journalist Lester Bangs once reported, "Nash the Slash is the kind of opening act that makes the headliner work twice as hard".

I created one of the first Canadian independent record labels (Cut-Throat Records) in order to release my music and merchandise to the public. I was the first Canadian musician to use a drum machine on an album (1978), at a time when drum machines were outlawed according to the bylaws of the Toronto Musicians' Association. I was the first to record an album, 'Decomposing', which was listen-able at any speed, and miraculously reviewed in Playboy magazine. I composed and produced music for film and television, and for multi-media exhibitions of the surrealist paintings by my friend Robert Vanderhorst.

I hold the distinction of suing the corporate giant Pepsi Cola of Canada for one million dollars (in the Ontario Supreme Court, 1982) for 'misappropriation of personality'; I won but received no money, just bragging rights.

I travelled across Canada, the US and Europe, and especially adored Newfoundland. I supported Gary Numan and Iggy Pop tours, and was invited to perform in Russia. I received airplay on Polish National Radio in 1979, when Poland was still behind the Iron Curtain. (Years later, a Polish fan explained to me that, because the first LPs were instrumental, there were no lyrics of 'western decadence' or 'punk anarchy' to grade the musical content as unsafe for communist consumption. Too bad no one in Poland could afford to send away for my records.)

(snip about mentors and assistants)

Finally, I would like to thank all the fans who have supported my career for so many years. I never tired of the letter-writing from and to the young and old, receiving and cherishing (to this day) their thoughts, and drawings of Nash in various poses and demeanor. I have kept many of these letters and artwork because they reflect a serious effort on the part of the fans to communicate with me... to connect.

My 'gauza-lobotomy' t-shirt artwork is courtesy a fan from 30 years ago. There were writers who described at great length how they listen to Nash records while toiling at their creative output, be it poetry, painting or making jewelry. There have been many who wrote about their own musical inspirations, some were gear-heads (drum machines were a popular topic of conversation). There were mandolin and violin players, even classical and jazz musicians. Many wrote for an autographed picture. There were even kids who took their Nash records to school to play for their grade five classmates, and then, I received a fan letter from the teacher. One time, a high school orchestra did an arrangement of 'The Million-Year Picnic'. Eat your heart out, Nickelback!

A few main reasons to put Nash to rest... Live gigs don't excite me any longer. My eccentric style/genre finds no place in the today's scene, although it's widely acknowledged that my sound led the way for the development of contemporary electronic/techo dance music in Canada. Even more to consider, the theft of music on the internet has devastated a very important source of my income. CD sales have dropped off considerably, and it's due mainly to file-sharing without regard for the ownership of the recordings.

Mark Zuckerberg was recently quoted as saying that Facebook will soon go through an 'explosion of sharing'. That may be all well and fine, but CDs are copyrighted objects containing music that is also copyrighted. The music-listening public has this misinformed idea that music is free... listening on the radio is free, so why not the internet? I don't employ Metallica's high-priced lawyers to chase down my millions.

A journalist once asked me to describe a typical Nash the Slash fan. I replied, 'They just get it'. They get my references to Ray Bradbury, Boris Karloff, and even my opening quote from Hitchhiker's Guide to the Galaxy. It was my intention to shock, but not offend.

(snip about musical influences)

Creativity in all its facets should be inspirational, and as such should be absorbed, its subtleties appreciated, understood and then woven into the fabric of some other person's creative vision. I'm very pleased to have shared my creative endeavors with so many people around the world. I hope I've left a few breadcrumbs in the forest, to inspire others to find their own path.

Listen in safety,
Nash the Slash

This website will remain available.


I will miss him.
In recent years he was beginning to release some new work, and go on tours further afield than Hamilton or Ottawa, after a very long time in what seemed to be semi-retirement.
Now he's gone.

Circuit Breaker has been running for over two years now, and every set I do, I play one Nash song - it seems to fit the night.
I will keep that up, though there will be no more Nash.
ltmurnau: (CX)
Found this in the Chronicle of Higher Ecducation, 7 Jan 2013.

***
Guns, Violence, and the 'Red Dawn' Films

By Aaron B. O'Connell

On July 19, 1984, the producers of Red Dawn had a problem. In less than a month, they were due to release the director John Milius's pro-gun, survivalist action film depicting a Communist invasion of the United States, and the theatrical trailer and movie posters—both of which featured Soviet troops in or near a McDonald's restaurant—were already completed. But those materials now had to be changed because the previous day, a well-armed paranoid survivalist named James Oliver Huberty had entered a McDonald's in San Ysidro, Calif., and killed 21 people (including five children) with an Uzi submachine gun. The movie's marketing team recalled some of the posters and removed the McDonald's scene from the trailer. (The opening scene, in which the invaders gun down kids in a school, was left intact.) Red Dawn went on to become a cult classic and helped lead a generation of young men—yours truly included—into the military.

This Thanksgiving, Red Dawn emerged again, but without Milius's explicit Second Amendment politics. And like the original, the new Red Dawn is in the awkward position of celebrating gun-toting teens on the screen as America mourns a mass slaughter of children in real life.

In the days ahead, we may finally start a serious conversation about gun violence in America. That conversation should include these films, for they are part of the problem, too. They, and similar films and video games, break down the barriers between violent fantasies and violent action, strengthen the entrenched opposition to common-sense gun laws, and contribute to the continuing militarization of American society and culture.

The conversation about gun violence should include these films, for they are part of the problem, too.
Read more... )
Aaron B. O'Connell is an assistant professor of history at the U.S. Naval Academy, a member of the Marine Corps Reserve, and author of Underdogs: The Making of the Modern Marine Corps (Harvard University Press, 2012).
ltmurnau: (CX)
I've read a lot about guns and mental health lately, and was going to write something, but Ian Welsh, a fine essayist, put what I've been thinking already quite well, and offered a few suggestions too:


On Killing Spre
es
2012 December 19
by Ian Welsh

.I’ve waited a bit to weigh in on this, but I think it’s time.

Read more... )
From http://www.ianwelsh.net/ - you should see what else he has written there.

He offers some very good suggestions, however I do not seem them actually being enacted, least of all in the USA. You know a lot of the reasons, sing them with me: There are too many guns (about 300 million, or about 85 guns for every 100 Americans of all ages, sizes and trigger pulls) and they will never be reeled back in. There's too much ammunition of the wrong kinds, and it can all be reloaded anew with only a bit of trouble at home or in the bunker. There are already too many high-capacity clips, again in the wrong hands. Big Pharma has far too high a stake in keeping far too many people medicated at far too early a stage - I think we're seeing just the leading edge of this. Oh, and as for not treating everyone you meet like shit? Not quite the default setting yet for everyone, it wasn't always the American Way but it is now the way to bet.

It's so easy to be overwhelmingly negative in this very frightening, overwhelming and chaotic milieu, or rather to stand at the edge of it all whatching it swirling down the bowl and hoping that your country will not follow suit... I see so many of the signs here. I have no easy, quick or conclusive methods of my own to offer besides - aw hell, I started writing them and it got Pollyannaish too quickly.

It didn't have to be this way. It never really did. And it still doesn't.
ltmurnau: (CX)
Last CB of the year - it was fun.
Coming up on the second anniversary!

My setlist:

Cabaret Voltaire - 24-24
Severed Heads - Oscar's Grind
CTI - Funky
Nash the Slash - Fever Dream
Sleep Chamber - Fetish
Klaus Nomi - Silent Night
Greater Than One - Dubkiller
400 Blows - Fundamental Islam
The Normal - Warm Leatherette (HIV rmx)
Skinny Puppy - Deadlines
Blutengel - Der Spiegel
A Split Second - On Command
Front 242 - Kampfbereit
Legend - Devil in Me (Steed Lord remix)
Aircrash Bureau - Exhibition
Orange Sector - Fuer Immer
Glis - Nightvision
AD:Key - Gruene Augen Luegen
Ayria - Hunger
Front Line Assembly - Oblivion
ltmurnau: (CX)
Too good not to share, heh!
A Japanese - Javanese gamelan ensemble peforms Gang of Four's "Not Great Men":



http://youtu.be/K19jPwpP5XY

No weak men in the books at home
The strong men who have made the world
History lives on the books at home
The books at home

It's not made by great men
It's not made by great men
It's not made by great men
It's not made by great men

The past lives on in your front room
The poor still weak the rich still rule
History lives in the books at home
The books at home

It's not made by great men
It's not made by great men
It's not made by great men
It's not made by great men

The past lives in the books at home
No weak men in the books at home
History lives in the books at home
The books at home

It's not made by great men
It's not made by great men
It's not made by great men
It's not made by great men


I always said that if the Situationists ever had a house band, Gang of Four would have been it.
ltmurnau: (Default)
This is one of those things that I want to post here, otherwise they'll be lost as I go poking around for "that thing I saw that day that was so good..."

But it is that good, it is really starting to disturb me how "we" are sitting back and taking it, when we're not actually on board with what's going on and being done in our name....

1984 in 2012 – The assault on reason
By Allan R. Gregg | Sep 8, 2012 8:35 am |

Allan Gregg is Chairman of Harris/Decima, and is considered a pioneer in the integration of consulting, public-opinion research, public affairs and communications. A frequent commentator on radio, television and in print, he is also an entrepreneur with diverse interests in Canadian culture. He was one of the founding shareholders of Canada’s children’s network, YTV, the Chairman of Toronto Film Festival, past Chair of the Walrus Foundation (publisher of 2007 Magazine of the Year, “The Walrus”) and has executive produced documentary television as well as recordings by Canadian artists such as The Tragically Hip, The Watchmen and Big Wreck. He serves on the General Motors of Canada’s Advisory Board and the Bank of Montreal’s Advisory Council on Retirement.

The following speech was delivered by Allan Gregg on September 5, 2012, at a celebration of Carleton University’s Faculty of Public Affairs and its move to the new River Building.

Read more... )
ltmurnau: (Default)
Last night I took Aki out on his 18th birthday (Eighteen! Once there was this little baby I could hold in two hands, now there's a man living in my house who calls me Dad....) for dinner and a preview screening of the remake of Red Dawn (I scored tickets in a promotion by Monday magazine).

The inestimable [livejournal.com profile] sabotabby has taken apart the original here: http://sabotabby.livejournal.com/479383.html and
here http://sabotabby.livejournal.com/479521.html and
here http://sabotabby.livejournal.com/480067.html

and while she wrote the gut-bustingest review ever, after seeing the remake I think I prefer the hokey original, after all.

Why is that... I think in the end, I can say that I prefer it because it's more honest - more honest in the consistency of the mad logic of its paranoia, more honest in the effort it took to make, more honest in the authenticity of its overt manipulation, ham-handedness and earnest simple-mindedness.

The remake was originally made in 2008-09, I'm not sure why but perhaps they were looking to capitalize on some 80s nostalgia. The film was "updated" to revolve around an invasion by the People's Liberation Army. MGM, the production company, was to release it in 2010 but went bankrupt and restructured, delaying the film's release until 2011. When advance publicity came out, there was hue and cry in Chinese media and MGM, who wanted MGM movies to play in Chinese theatres one day (not this one of course, but MGM makes a lot of movies), yanked it again, to change the enemy from China to North Korea, a truly pariah nation.

According to Wikitoolazytolookfurtherpedia, the change took less than $1 M (on a production budget of $75 M) as they reshot a few scenes and changed all the Chinese insignia to North Korean in digital post-production. This alone reminds me so much of the event in Nineteen eighty-four where Winston Smith is at a Hate Week Rally and a speaker changes the enemy from Eurasia to Eastasia mid-speech - within a few minutes, after the posters and banners that had been put up by the agents of Goldstein have all been torn down, the crowd is back hating, just at a different enemy - and poor Winston has a week of overtime work and revision ahead of him as they have to prove that Eastasia has always been the enemy. Except that Winston is not manufacturing lies for ideological and political consistency, he is doing it so his employer does not lose market share.

I mentioned honesty in paranoid logic and honesty in effort with respect to the earlier movie. Of course the premise is ludicrous and logistically impossible, this is a fantasy movie after all - but in the original film they made some effort to draw up some backstory, made some reference to world events outside the USA, and made prodigious efforts to create realistic props, do research on uniforms and weapons, and even teach the actors and extras some infantry fieldcraft so the film has some military verisimilitude (I even recall reading at the time an admiring article in Soldier of Fortune magazine about how hard John Milius had tried to get the look of things right). In the remake all the vehicles and many of the weapons are actually American - the Korean invaders are driving around in Hummers and an M-1 tank - and while they are usually carrying AK-47s, the uniforms they are wearing appear to be variations on the digital camouflage currently used by the US Marine Corps (though there are lots of civilianized variations, the Korean People's Army does not wear anything like it). Certainly this does not mean anything to most people, but to me it is just one more measure of the film's half-assedness.

The original film was a loud, stupid action movie that was not afraid to stand up on its hind legs and bray about how stupid and manipulative it was - e.g. scenes like where Harry Dean Stanton and other prisoners, about to be gunned down by the invaders, start to sing America the Beautiful. The remake is much louder, the camera work far more jerky and kinetic, but there is a curious emotional detachment about it all. This is shown especially well in the original film, where there are a few attempts to humanize the enemy - e.g. the scene where C. Thomas Howell makes his first kill, the scene where they execute one of their own and a Russian prisoner, and the character of that doubtful-emo Cuban Colonel Bella. In the remake, the adversary is one Captain Cho, who does nothing but scowl at people and bark in Korean - and he's the only enemy we even hear speak with subtitled Korean, all the others are essentially faceless First-Person Shooter video game faceless ciphers who yell and fall down.

This emotional detachment extends to the "good guys" as well - the original film had some real actors in it, character actors like Powers Boothe, Judd Omen and Harry Dean Stanton but also young actors who mostly went on to longer if not exactly distinguished careers. And while you didn't exactly care about them, they could at least emote, and made some kind of personal adjustment during the course of the film. In the remake, the actors (who all seem to have been in quite a few movies and TV shows already) may change clothes from time to time, they don't change as people - consequently you care as little about them as you do the faceless enemy.

So in summary, the remake was just half-assed. From the interchangeable enemy altered in post-production, to the laziness of the film's art direction, to the general lack-of-affect involvement with any of the characters, the film just comes across as a left-handed job that was made because someone decreed that it be made, in the hopes that it would make money. At least John Milius had his crazed convictions to sustain him through the original film's absurdities and drag home an emotional carcass of a B-movie; this was just a waste of time that had learned nothing from its predecessor and was not intersted in making any new mistakes, either.

While copies of the original Red Dawn will still be on the shelves in years to come (preferably the Special Edition with the in-screen "Carnage Meter" that ticks up everytime someone gets killed), I don't think anyone associated with this project would care to remember it.
ltmurnau: (Default)
Another fun night in the booth!

Chris and Cosey - Synesthesia
Throbbing Gristle - Discipline (Berlin version)
Greater Than One - We Hate America and America Hates Us
Severed Heads - Army
The Normal - Warm Leatherette (version by HIV+)
Nash the Slash - Dance After Curfew
Cabaret Voltaire - Do Right
Skinny Puppy - Testure
Front 242 - Rhythm of Time (anti-G mix)
Click Click - Clang!
Die Krupps - Machineries of Joy
Conetik - Cold Eyes
Aircrash Bureau - Machine
Activehate - Star Struck
Manufacture - Armed Forces
VNV Nation - Chrome
Laibach - Tanz mit Laibach (version by Waks)
Aural Vampire - Economical Animal Superstar
Patenbrigade Wolff - Gefahrstoffe
ltmurnau: (Default)
Made it all the way around the Sun another time.

I love this song:



You worry too much / You make yourself sad
You can't change fate / But don't feel so bad
Enjoy it while you can / It's just like the weather
So quit complaining brother . . . . . . .
No one lives forever!!

Let's have a party there's a full moon in the sky
It's the hour of the wolf and I don't want to die

I'm so happy dancing while the grim reaper
Cuts, cuts, cuts
But he can't get me (I'm as)
Clever as can be, and I'm very quick, but don't forget
No one lives forever!!!

You think you got it rough / What about your darling doggy?
Ten short years / And he's getting old and groggy
I don't think it's very fair
Cold, chop, low, but it's all relative my friend 'cause
No one lives forever!!!
Let's have a party there's a full moon in the sky
It's the hour of the wolf and I
Don't want to die (but) . . .

No one beats him at his game
For very long but just the same
Who cares, there's no place safe to hide
Nowhere to run--no time to cry
So celebrate while you still can
'Cause any second it may end.
And when it's all been said and done . . .
Better that you had some fun
Instead of hiding in a shell-Why make your life a living hell?
So have a toast, and down the cup
And drink to bones that turn to dust ('cause) . . .
No one, no one, no one, no one . . . . . . . (etc.)
No one lives forever!! (Hey!)


But you know, I never feel older on my birthday - I do on days like Remembrance Day, or last weekend when I went to the 100th anniversary celebrations for the Canadian Scottish Regiment, my old Army unit. There was a parade at Royal Athletic Park that was supposed to be reviewed by Princess Alexandra, but the Lieutenant Governor took it instead (Stephen Point, a pretty cool guy who has not yet been replaced as LtGov by a Liberal Party-donating rancher). I marched with the Old Guard and saw the Freedom of the City parade later, downtown. Anyway, it's on days like these that I go out, get cold and/or rained-on, see people I haven't seen for many years, and think about where my youth went. Well, make that my younger years, I think I still have somewhat of a youthful mind....
ltmurnau: (Default)
You may have heard, or not, that the Canadian Museum of Cvilization, once known as the Museum of Man, will be renamed, repurposed and cleaned out and moved into a new building in time for Canada Day 2017.

It will be renamed the Museum of Canadian History (NTS: check name later, the Net is acting up and I can't have mopre than one fershlugginer window open at a time) and will shift its focus to, well let's say more national topics, including highlighting Canada's military history and our relation with the British monarchy.

LAWRENCE MARTIN (yes, that's how he writes it) weighs in on this in today's Globe and Mail:

***

Don’t curate the peacemaking out of Canadian history
LAWRENCE MARTIN

Special to The Globe and Mail

Published Tuesday, Oct. 16 2012, 2:00 AM EDT

In keeping with their wish to refashion the national consciousness, our arch-conservatives have an eye on museums.

As reported in this newspaper, changes will see the Canadian Museum of Civilization, the largest museum in the land, become a history museum with an emphasis on showcasing our great deeds.

Other museums, according to the report, will be asked to do more to reflect past glories. It’s expected there will be an emphasis on the military and conflicts, such as the War of 1812. In keeping with this, the government has announced it is renaming buildings in Ottawa in honour of 1812 veterans. The monarchy will be given a greater place in museums, as will our sporting heritage, particularly hockey. At hockey games, we’re now expected to stand and cheer thunderously when military personnel are introduced, as though it’s the 1940s.

The retooling of museums – the Museum of Civilization, anthropologically dreary, does need a facelift – may well be a commendable exercise. There’s nothing wrong with making our past as storied as possible, especially given the historical vacuum in which large segments of the population reside.

But given the Conservatives’ proclivities, as reflected in their confrontational foreign policy and their affinity for old wars, there’s concern that they won’t get it right, that a lot of our history will go missing.

As fine an idea as it is to celebrate our armed forces and wartime contributions, what about our opposite inclinations? Our postwar history, before the arrival of the Harper government, is predominantly a story about Canada as peacemaker, bridger of differences, conciliator. We were never a bellicose, aggressor nation, not before this period either, and we should never be portrayed as one.

In Ottawa, we already have a big spanking new war museum. To go along with it, far be it from anyone to suggest we have something like a museum of peace. But if we did, we could fill it with some praiseworthy stuff.

For the half-century in question, we could start with the exemplary work of Lester Pearson, who, having urged restraint in Korea, was the key player in bringing about a close to the perilous Suez crisis. We could showcase his government’s opposition to the Vietnam War, particularly the Temple University speech calling on Lyndon Johnson to halt the bombing.

It’s curious that the Tories are naming an icebreaker after John Diefenbaker. Far from being a militarist, Mr. Diefenbaker, who had a peacenik foreign minister in Howard Green, went about opposing (though in a foolhardy manner) the stationing of nuclear warheads on Canadian soil and challenging John Kennedy’s adventurism at every turn.

Then came Pierre Trudeau. He pushed to slow the arms race, made an opening to China, got far too cozy with Fidel Castro and staged a world peace mission in the early 1980s. His efforts to get the superpowers to the bargaining table were ridiculed by some. But Ronald Reagan and Mikhail Gorbachev eventually got around to the kind of consultation and co-operation Mr. Trudeau had advocated.

Under Brian Mulroney and his effective foreign minister, Joe Clark, came a strong stand against apartheid and American intervention in Nicaragua. Through these decades, Ottawa pressed for multilateralism and disarmament, the prominent role played by the Chrétien government in the international treaty banning land mines being just one example.

Our current Prime Minister, given his initial enthusiasm for a coalition of the willing, won’t wish to see much museum space devoted to Jean Chrétien’s opposition to the invasion of Iraq. But we were on the right side of history there, as was the case with Vietnam.

We did fight in some conflicts, and admirably. Not all our efforts at peace-brokering can be said to have been well-advised. But there’s a lot of proud history in that half-century of restraint. Our museums and other accountings of the Canadian record should reflect it.

***

The thing that really upsets me about all this is the continual editiing, revising, and altering of our history, really rather blatantly when you think about it, in the service of a very particular mindset.

I suppose more people would be upset about this if they knew what was being changed, de-emphasized or just cut out, but they don't.

And now, like as not, they won't.
ltmurnau: (Default)
I planted some seeds on Sunday, a week after weeding, digging up and loosening the soil in my raised beds, and adding a bit of compost, peat mosss and fertilizer.

I planted two rows each of broad beans, kale, Swiss chard, daikon radish and leeks. Leaving the fence up of course so the deer don't eat it all. I will grow pac choi in a box on the sundeck.

Sunday happened to be a full moon as well, just a coincidence but it can't hurt.

The apple tree is very heavily weighed down with apples, the pear tree had a good crop too but the fruit is mostly small. Soon I will start harvesting the apples, hell I still have some frozen from last fall that I haven't eaten. Who wants some?
ltmurnau: (Default)
- from [livejournal.com profile] bruiseblue who got it from.

Bold the ones you have and use at least once a year, italicize the ones you have and don't use, strike through the ones you have had but got rid of:

I wonder how many pasta machines, breadmakers, juicers, blenders, deep fat fryers, egg boilers, melon ballers,sandwich makers, pastry brushes, cheese knives, electric woks, [miniature] salad spinners, griddle pans, jam funnels, meat thermometers, filleting knives, egg poachers, cake stands, garlic crushers, martini glasses, tea strainers, bamboo steamers, pizza stones, coffee grinders, milk frothers, piping bags, banana stands, fluted pastry wheels, tagine dishes, conical strainers, rice cookers, steam cookers, pressure cookers, slow cookers, spaetzle makers, cookie presses, gravy strainers, double boilers (bains marie), sukiyaki stoves, ice cream makers, and fondue sets languish dustily at the back of the nation's cupboards.

I use my coffee grinder once a year, but to make tea fixin's.
I use my rice cooker at least twice a week.
I ought to use my slow cooker more, but usually only make comfort food in it and am trying to eat better.

Definition

Sep. 24th, 2012 10:27 am
ltmurnau: (Default)
"Don Draperetomania"
- the urge to flee the room when Mad Men is on the tube, because really, we're all better off that way.
ltmurnau: (Default)
Tories plan War of 1812 monument on Parliament Hill
STEVEN CHASE

OTTAWA — The Globe and Mail
Published Tuesday, Sep. 11 2012, 3:53 PM EDT
Last updated Wednesday, Sep. 12 2012, 11:03 AM EDT

The Liberal prime minister who famously declared the 20th century would belong to Canada will soon be sharing a corner of Parliament Hill with a new Conservative government monument to the 19th century.

As part of a nearly $30-million spending binge to commemorate the 200th anniversary of the War of 1812, the Tories are erecting a memorial to the long-ago conflict that pitted the United States against what would later become Canada.

In a call for bids to design the monument released Tuesday, Ottawa unveiled plans to situate it just metres from a statue of Wilfrid Laurier, the seventh prime minister.

The 1812 edifice should dwarf the Liberal politician’s likeness, judging from sketches unveiled by the federal government. The selected site measures about 50 square metres.
Read more... )
This is amazing.
Over 3/4 of a million dollars for a monument, as part of a $30 million bill to commemorate a half-hearted clusterf**k of a border skirmish that achieved pretty much nothing?
The historical revisionism and skewed priorities on display here are breathtaking.

I wouldn't be surprised if at least one of the designs the committee will entertain will be in the form of a triumphal arch.
Large, in-your-face and kitschy: Fascist aesthetics.
ltmurnau: (Default)
Setlist for DJ Murnau last night:

Kraftwerk - Elektrokardiogramm
Greater Than One - We are the People with the Human Fist
Chris and Cosey - Confession
Laibach - Die Liebe
Skinny Puppy - Ice Breaker
Nash the Slash - Dance After Curfew
Severed Heads - 20 Deadly Diseases
Portion Control - Divided
Pro-tech - Erotic Anthology
Apoptygma Berzerk - Near
Front Line Assembly - Bliss
All the Ashes - Schwarz Macht Schlank
Informatik - Things to Come
Wumpscut - Krieg
AD:Key - Hoch die Haemmer
Noise Unit - Kick to Kill
Frontal - Du
Aural Vampire - V. Madonna Schizoiod
Icon of Coil - Shelter*
Patenbrigade Wolff - Gefahrstoffe
Straftanz - Straftanz
Miss Construction - Kunstprodukt
Orange Sector - - Fur Immer
Eisenfunk - Skudrinka
Heimaterde - Deus Lo Vult
Activehate - Starstruck
Otto Dix - Atomnaja Zima
Hocico - Fed Up*
Assemblage 23 - Awake
VNV Nation - Chrome
Covenant - Feedback
Rational Youth - Saturdays in Silesia

I understand we had some German or Dutch guests in the audience, I didn't play all this German stuff for them! (though they could have asked) Lots of fun and people seemed to enjoy themselves.
ltmurnau: (Default)
I learned yesterday that a friend had died, at age 85. He was one of my oldest friends, in that I first knew him 26 years ago, when he was a spry 59. He lived in Bellingham and our connection was mail art.

I had just gotten started in that strange timewaster, an Internet of art and crazy letters that had been functioning for years before the "real" Internet got underway. I corresponded with dozens of people all over the world, but mostly the USA and Europe. The mailman never knew what he would drop off at the house on any given day - I think he got a kick out of the day he delivered an Australia Post baseball cap, with an address label and stamps stuck right on the bill and then put in the letter box.

I stuck with it for five or six years, until I moved to Japan. Life there was too much like living inside one of my own postcard collages, so I retreated from a lot of my visual art and started to write. And once I got back, I had wife, kid and job so there was little time to carry on with visual art - when Aki was old enough I tried to get him interested in Artist Trading Cards, small works of art that dodge the big postage bill because you trade them in more economical bundles, but that didn't last. Nowadays I write the occasional letter and still do metal casting - I have different printing machines and all my old hand-carved rubber stamps but just no time.

I had become a very bad correspondent with Rudi, as with all my old mail-art pals, but I was still surprised when a very long letter I had him sent a month or two ago went unanswered. Normally he was a much better writer than I, even if it was just a short scribble and a cutout newspaper bit - his health had been failing for years. But instead I got a card from his widow, telling me she got the letter when she went into town to close down the PO box that I had sent so many things to over the years.

He was a good man, friendly and funny, sympathetic and ever-inventive. And he died with me owing him a letter.

http://www.legacy.com/obituaries/bellinghamherald/obituary.aspx?page=lifestory&pid=155569944#fbLoggedOut

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