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I first heard of this from [livejournal.com profile] angel_electric's report on the Toronto Film Festival.

Recall also how CBS was so easily cowed into pulling its miniseries about the Reagans off the air in 2003: http://ltmurnau.livejournal.com/21487.html

Some U.S. cinemas balk at showing Death of a President
Last Updated: Friday, October 6, 2006 | 1:19 PM ET
CBC Arts

Some major U.S. cinema chains are refusing to play the film Death of a President, which depicts the fictional assassination of President George W. Bush.

Read more... )
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The 101 movies Roger Ebert thinks someone should watch to become pop-culturally literate - not the best, but the most culturally resonant, I suppose. Ones I've seen marked with an asterisk:

Read more... )

49 of 101, not bad I guess.
ltmurnau: (Default)
David Lynch is 60 years old today.

http://www.lynchnet.com/

Yippee!



It's also St. Sebastian's Day, patron saint of archers, arrowsmiths, fletchers, police, soldiers and lead workers.

ltmurnau: (Default)
Tonight at the Cinecenta:

In the Realms of the Unreal
A documentary about Henry Darger, outsider artist who worked as a janitor in a Chicago hospital for years but left behind a profusely illustrated 15,000 page book.

http://www.alternet.org/movies/21374/

I'm going. You coming?
ltmurnau: (Default)
Saturday - what the hell happened on Saturday... I can't remember. I woke, I ate, I packed some... oh yeah, I remember, I went walking to University Heights Mall with Aki to get some groceries, and we stopped at Tim Horton's on the way back. There was freezing rain, not quite hail. The Zeller's is all shut down now, completely empty except for guys dismantling shelving units. And though there were large well-designed notices on each and every door that the store was "permanently closed, kthxbye" we saw one deluded old lady after another walk up to the doors, rap on the very notice itself, and ask whether there wasn't something in the obviously empty store she could still buy. I suppose they were drawn to the lights, like moths with wallets.

Saturday night Aki and I watched some DVDs I got the other day -
The Last Man on Earth, starring Vincent Price (The Coolest Dead Guy On Earth), much better than The Omega Man. Also
A Bucket of Blood, a gret Roger Corman skewering of beatniks. Finally,
My Son the Vampire, a really awful Bela Lugosi movie, must have been one of his last ones. Made in Britain where it is known as Old Mother Riley Meets The Vampire, this one was retitled for US distribution so they could dub this awful song (by Allan Sherman, he of "Hello Mudduh, Hello Faddah" fame) over the opening titles, has lyrics like "he'll bite your neck 'cause he don't like grapefruit juice" or something like that - awful, awful.

Sunday I went to Capital Iron to get a replacement stem for the cold-water kitchen sink faucet that has been leaking for some time. Replacing it took a moment, but first I had to crawl under the house, to the very furthest corner, to shut off the water - for some reason the sink was not built with local shut-off taps. There are spiders the size of Cadillacs down there. Had to do the Low Crawl several times because Someone couldn't get off the couch long enough to see if the water was all the way off or not. Might as well ask Hammy Hamster for help.

Sunday night Aki and I played Nobunaga's Ambition, an old stategy game about uniting Japan. I was pretty stiff and tired and slept most of the night, something I haven't don for quite a while.

LJ sure is hiccupy today.
ltmurnau: (Default)
A moderately interesting weekend, though not enough sleep.

Friday night Betty and I went to the Village. I found a black jacket and three neat videos:

The Bat with Vincent Price, coolest guy in the world, and Agnes Moorehead
The Fall of the House of Usher, even more Vincent Price (coolest guy in the world) and
The Satanic Rites of Dracula Christopher Lee as the head bloodsucker trying to work out a strain of bubonic plague that will off everyone in 1972 swinging London, Peter Cushing is trying to stop him.

After a slice we went to see The Fog of War, I highly recommend it. Good history. McNamara is allowed to say his piece, and while Errol Morris does his best to counter what he's saying with carefully selected images of horror and suffering and his occasional strident questions, (uttered off-camera in this something-pinched-inside voice that reminded me of an upset Preston Manning) I still came away thinking it was pretty balanced.

Saturday my Mom came over and we went out to get some topsoil and doughnuts. Fixed up the side bed where I've planted the strawberries and the front bed where I planted this year's first batch of poppies. It was a sunny windy day so Aki and I went to the school yard to fly a kite. First time he'd ever flown a kite - I hadn't flown one since I was his age! It was lots of fun and he was delighted with it.

Saturday night was movie night - I got a bunch of videos from Pic-a-Flic and we saw:

Tales of Terror with Vincent Price, (did I mention hw was the coolest guy in the world?). A-and Peter Lorre as a drunk!
The Omega Man with Charlton Heston, it wasn't as good as I remembered it, too early-70s by half. Could have been some great satire there, but no.
Island of Lost Souls Not bad! "Are we not men?"
Suspiria Icky-violent, not nearly as scary as I'd been led to believe. But I was quite tired and kept dozing off. Sent Aki to bed after the first murder.
Lair of the White Worm Ditto for this, found Hugh Grant kind of distracting. But Amanda Donohue was all right, esp. with her hirsute axillae.
A Walk in the Sun Not a bad war film, marred by the infrequent "ballads" wedged into the film by a voiceover baritone, like turds poked into the top of an otherwise agreeable cheesecake.
The Red Badge of Courage with Audie Murphy - a good adaptation of the book; Aki had really enjoyed the book when we read it and liked the film.

Sunday I mowed the lawns and as much of the garden as I could reach. I like mowing the garden, the spinach and garlic that's overwintered makes that corner of the yard smell like an enormous Caesar salad when I cut it. Sunday night we played Vinci, not a bad game that takes a bit of planning and is over before it goes on too long. Also taught Aki to play Attila, haven't quite figured that one out yet.

***
Warning: Vote call raises terror risk )
What a pity this excuse can't be trotted out as one to cancel the American elections "for the duration of the present emergency", thus installing Shrub as Maximum Leader for Life. But I'm sure they've looked into it....
ltmurnau: (Default)
Well, this was actually a pretty good weekend! Friday night was the Huun-Huur-Tu concert, held in an old United Church. Great acoustics and a performance at least as good as the last (and first) time I saw them in Vancouver in the summer of 2003. Throat-singing as good as it gets, played to a packed house.

Saturday I took Aki to the monthly Artist Trading Card session at Xchanges Gallery. He had made lots and lots of little ATCs and traded quite a few of them. I hope he will keep this up. I took him back to downtown, popped him on the bus with Mxo, and then went to see the last two films of the Festival (that I was interested in): Robot Stories and Breakfast with Hunter.

tedious descriptions follow )

Sunday I went looking for a floor lamp at Canadian Tire and ended up with a lot of paper products instead. In the afternoon Aki and I played the Settlers of Catan card game, which we are really enjoying.

Obligatory survey )
ltmurnau: (Default)
Well, it was an OK weekend, even if I did not get a lot accomplished. Read more... )

Ow Ow

Jul. 20th, 2003 04:59 pm
ltmurnau: (Default)
So, it has been just over a week since I broke my foot and it seems to be calming down a bit. Still sore and I need a stick to walk but have not had a relapse like on Wednesday night. I just have to take it slow and not overdo it; I do not want to even think about wandering around in Los Angeles and the Nevada desert on a friggin' cane, just because I couldn't take it easy in sleepy Victoria.

It was a jangled week last week. But I met my lawyer on Friday, that went well but the proof will be week after next when we go into mediation. Avoided that meeting with my boss until this week. It's just an annoyance anyway; wish she was one of those people I could work around but she likes being in the way, so that's how it is.

Hey, on Friday afternoon the ADM came around handing out Dilly Bars! Ten years in the civil service and I'd never had anything like that happen before. Well, once a boss brought me back a battered eclair from some highfalutin meeting she had been to, but that's about it. On occasion we do get scraps from meetings on our floor.

On Saturday Anne and I went to see Charlie's Angels Full Throttle. It was entirely the noisy, pointless, hyperbolically pop-culture-referential bag of eye candy I thought it would be, and we had a hoot! Later we had lotsa coffee and talk at the Blenz on upper Douglas where Courtney Walls was killed, and then she saw me off at the bus. I went home and started watching "Britannia Hospital", then in checking my e-mail we caught up online, chatting on Yahoo Messenger for four hours. I got to bed at 6 am. It was so much fun; it's great being able to talk to someone who actually listens to what you have to say, and to listen back. I'm a lucky fellow.

Today I am going to write a review of CLASS STRUGGLE, a board game similar to Monopoly, after Aki and I played a match of it (he won as the Capitalists). It's not particularly interesting as a game, especially when there are only two players, but the Marxist hyperbole in the components and rules is funny. I'm writing it for friend John's game review zine Simulacrum and, while this may be of practically no interest to you, it will prove to John that yes, I am on it!

Later: Anne told me that a stupid-looking tattoo we saw between the shoulder blades of an obviously underage girl we saw at the Blenz - a sort of bleeding-heart image with vestigial wings and scrolls around it - was actually a LOGO for a brand of clothing called "Roxy" that sells to teenage girls. There was no apparent swelling for it to be new, and the tattoo colours were too bright for it to be old, so it was probably some kind of temporary job, but it still boggles my mind that someone, even your average trend-following teenager, would willingly pay to have themselves branded with a corporate logo.

[Insert your own rant here, I'm too tired to go off on this one again...]

Moan Day

Jun. 23rd, 2003 09:49 am
ltmurnau: (Default)
Well, a weekend spent resting, for once. Or mostly resting.

Friday night was Gothvic coffee night, so windy and cold that we all moved inside when it got dark. Kiri_bean's friend Manjari was in town, and a few other people came out of the woodwork. Scuttle was there before going to work, and now she's home dying of some awful biological thing, seaofrain was in Vancouver organizing her Elegant Gothic Lolita tea party, and that's all the Gothvic/Livejournal people I can reference for now.

Saturday we went grocery shopping and I deked out to the Salvation Army up the hill from the mall. I found a book of Varga pinup girls in good shape (the book was good too, only a few dog-ears) and a strange French-language {{metiers de loto}} bingo style game for 99 cents. It came with six cards with six pictures of people dressed in their work clothes but with empty hands, and 36 little cards showing various implements. So players had to match up the typewriter with the typist, or the {{machine a ecrire}} with {{la dactylo}} or something like that (sorry if I get the genders wrong, I wasn't paying attention). It was a pretty old set, because there were cards for gas jockeys in peaked caps, sculptors, manual typists and so forth. Funny too, because some of the implements were out of scale so the nurse was threatening her patient with a syringe the size of a bicycle pump! I suppose these days you could work a few changes on it, too - try to argue that {{le facteur}} (the postman) needs a cleaver to do his job correctly, and the butcher needs the syringe to dope up the meat so it has a taste, etc. and so forth.

Then I mowed the lawns (actually, these days it's more like chopping the dandelions off short, as the grass has stopped growing until the fall) and we set up the new used tent in the backyard. I am planning on taking that one to Burning Man and wanted to test it out for leaks and tears and how quickly one could set it up in a wind. It's a fine little bit of shelter, but it's definitely not for two adults unless they are Siamese twins. New sleeping bag and sleeping pad are fine too.

Sunday I hacked around weeding the garden, picking cherries off the tree (they are good this year, and the birds didn't get near as many as they usually do), going for a long bike ride in search of a stamp, and watching an anime I had found last week: "Wings of Honneamise". There is so much imagination in this movie: the people who made the story of the beginnings of space flight on another world stocked this alternate Earth with believable alternate technologies, religions, styles of dress, etc.. Really must have been a labour of love.

And this morning woke up late for work already - SOMEONE had reset the alarms we use to get up at 7:15. One was set for 6:00 am and one for 7:20 pm. I love having twelve whole minutes to do all the bathroom business, shave, dress, grab food, pack bag and rocket out the house with my boots on the wrong feet (OK, so that last bit was exaggeration but you get the idea). So now here I am, updating this journal!
ltmurnau: (Default)
I went to see "The Pianist", Polanski's new film, last night. Long and very sad, not sure if it deserved all the awards it got or will get but who am I to be critical?

I promise I won't go off on another rant, since this movie didn't bother me as much, but I did notice something about the main character and the structure of the movie that made me wonder about Polanski's ultimate message for us.

It is this: throughout the movie Szpilman (the pianist, main character) survives, but he does so only through other people. Despite his frequent vows of defiance (early in the movie when the Germans are first bombing Warsaw, he refuses to join the Army because he would rather die defending his home in Warsaw; in the first ghetto uprising in 1943 he does not participate other than by helping to hide pistols; and in the 1944 uprising he sits and watches the whole thing from the window of the apartment where he has been locked up, escaping only when a German tank blows a hole in the wall of the building) he does not actually do much to defend himself, strike back or even help the other members of his family (other than kissing ass to get his parents work permits that prove useless, and sucking up to a Jewish policeman to get his brother out of the slammer, for which his brother is very ungrateful).

When things go bad for him he relies on others to survive: he lives by playing piano in a restaurant frequented by the rich Jews in the ghetto, he gets tossed out of the lineup of people being loaded onto the train for Treblinka by a Jewish cop, he is hidden and fed in apartments in Warsaw kept by non-Jews, and at the end a German officer takes pity on him and feeds him until the Russians arrive.

So is Polanski's message that artists should be protected and sheltered in time of war (when culture is ostensibly most threatened) because they are artists? Or is he saying that we are all victims, and that it's all one whether we fight back or not, and if other people take care of you, good on ya? Or is he just retelling the story that Szpilman actually lived (the movie was adapted from his autobiography), proving that any life can be seen as a concatenation of random events and lucky or not-lucky breaks?

I also found the movie a little less than historically honest on two points.
One is that in the movie, the Germans are the ones doing all the random killing and beating and making people dance to klezmer music in the streets. What Polanski does not mention in the movie is that of all the occupied countries, Jews were most thoroughly eradicated in Poland, due to the efforts of the Jewish Gentile population who were at least as anti-Semitic as the Nazis. The Germans did not maintain a large garrison in Warsaw - most of their soldiers were off fighting the Russians in the East. Polish police and miscellaneous SS and SS-Polizei units were the most enthusiastic Jew hunters. Another point which is not stated in the movie is that in 1944 the Russian Army, having fought to within 20 miles of the Warsaw city limits, sat down where they were and waited for two months while the Germans were busy putting down the uprising in the ghetto. When the revolt had been crushed they moved forward again and took the city. Stalin's anti-Semitism is an establshed historical fact.

This is not to say the movie was thoroughly historically dishonest (like, say, Amistad, which was a barefaced lie presenting itself as history); by virtue of the medium, no movie can ever be 100% historically accurate.

But I don't want to go off on that much of a riff about it, these are rather minor points. As before, I am left wondering just what exactly Polanski wanted us to bring away from this beautiful and involving movie.


And now, for those of you who didn't catch the reference in the title, here is the joke (which I could not remember until I looked it up just now):

***
A man walks into a bar with a paper bag. He sits down and places the bag on the counter. The bartender walks up and asks:

"So whaddaya got in the bag?"

The man responded by reaching into the bag and pulling out a little man, about one foot high, and he sets him on the counter. He reaches back into the bag and this time pulls out a small piano, setting it on the counter as well. He reaches into the bag once again and pulls out a tiny piano bench, which he placed in front of the piano. The little man sits down at the piano and starts playing a piece by Mozart. Now the bartender is extremely curious about this odd sight, so he asks the man:

"Where the hell'd ya get that?"

The man responded by reaching into the paper bag, but this time he pulls out a magic lamp. He hands it to the bartender and says:

"Here. Rub it."

So the bartender rubs the lamp, and suddenly there's a gust of smoke, then a beautiful genie is standing before him.

"I will grant you one wish," she says.

The bartender gets excited by having a wish from a real genie. He had always dreamed about it, but now it's actually happening. So without even hesitating, he says:

"I want a million bucks."

So the genie nods her head and disappears in another gust of smoke. A few moments later, a duck walks into the bar. It is soon followed by another duck, then another. Pretty soon, the entire bar is filled with ducks. The bartender turns to the man and says:

"Y'know, I think your genie's a little deaf. I asked for a million BUCKS, not a million DUCKS."

To this the man responded:

"No shit! Do you really think, for just one moment, that I would have ever wished for a TWELVE INCH PIANIST?!!"
***

A Bad Movie

Jun. 2nd, 2003 09:13 am
ltmurnau: (Default)
One of my bad habits is to stay up really late on Friday and Saturday nights, watching videos that are too tedious to explain to my youngster. This weekend I watched a movie I had picked up entitled "Female Perversions".

No, it was not a porno film - I had actually picked it up by mistake since what I wanted to watch was another film called "Female Misbehaviour", a film directed by Monika Treut that is a series of four short documentary films about the fringes of femininity - sections with Camille Paglia, Annie Sprinkle, a butch woman into SM, and a female-to-male sex change subject. For some reason I did not remember the film title correctly.

The plot of the film involves Eve, a neurotic bisexual uptight lawyer, and her upcoming appointment as a judge. Her preparation for her interview with the state governor (who will make the decision about her judgeship) is interrupted by her sister Maddy, who is about to defend her PhD thesis. Maddy is a kleptomaniac and gets caught, so Eve has to tool out into the desert town where Maddy lives and get her out of jail. While there, she meets Maddy's female roommate, the roommate's daughter and some other woman who blows in from somewhere - it wasn't clear to me who she was related to. In the end, Eve gets her judgeship, Maddy gets out of jail and wins her PhD, the two of them have a climactic psychodrama scene where they recall that their father abused their mother, and Maddy's roommate goes on a date with a guy. As Eve is leaving to go back to the big city, she finds the roommate's daughter burying her menstrual pad under a tree, as she does every month, since it's a baby that was never born. She also finds that the daughter has carved the word "LOVE" into her leg with a razor blade "because I couldn't carve the word HATE into my bones". End of film.

Now that I think about it, perhaps this film could be called a form of pornography.

Porn has been described as depictions of sex without any form of emotional attachment or eroticism; without debating the pros or cons of that, it's still clear that porn presents an idealized version of sex without repercussions - practised on, with or by idealized people who use other idealized people as sex objects. In short, a sort of fantasy of human relations stripped down to only the basic aspect of rutting behaviour.

This film is also a gender-based fantasy, with two points to make:

1. MEN BAD.
Every male character in the film is some kind of caricature. Eve's father is a distant and unstable emotional abuser who doesn't want to hear about her good news about the judgeship because she called in the middle of the night to tell him. Eve's boyfriend is a hyper-rich engineer or architect (it's never made clear) who acts like a sex-obsessed, selfish little boy. Maddy's roommate gets all worked up about going on a date with someone and comes back in tears - again, it's never made clear how he upset or disappointed her, but he did something. In the interview with the state governor, Eve comes off thinking she blew it because she told him the truth about being single - "oh, why didn't I say I was engaged or something?" after the governor blathers on about how important his five daughters are to him.

During the film, Eve has these dream sequences where she imagines that the men she faces off against in the courtroom (in the film's only courtroom sequence, she is the only woman) are staring down her blouse or peeking at her legs while she goes on and on about how the defendant only understands "dominance" and therefore must have all his property seized. The defendant shows up later in two fantasy scenes, one while she is alone in her office and another while using a pay phone, grabbing her from behind, twisting her head around and whispering her insecurities into her ear (about her flabby butt, flat breasts, she's a fraud and everyone will find out, etc.)

2. WOMEN GOOD.
In contrast, whatever women do, especially without men, is a Good Thing. Eve is bisexual and has a hot affair with the curvy blonde psychiatrist who just moved into the office down the hall. Maddy's thesis is in Anthropology, on a village in Mexico that is some kind of ideal matriarchy. Maddy is a kleptomaniac but usually throws the stuff she steals into the trash outside the store; her justification for theft is that it gets her off sexually. The Unknown Woman talks dirty and gyrates around in her underwear while the other women drink wine and complain about men, so Maddy's roommate doesn't feel so bad about her bum date any more. When the credits roll, we see that the film was made almost entirely by women (except for a few technical and editing positions).

There is also a recurring fantasy or dream sequence where Eve is walking a tightrope - sometimes the end of the rope is held by an abstract male character in robes and a white mask, sometimes it is held by a naked fat old woman covered in mud who I guess represents her fear of old age, and sometimes it is held by the roommate's daughter, who is sawing away at the rope with a razor blade the size of a hardback book. I'm not sure whether this sequence relates more to 1. or 2. above, but the symbolism is appallingly crude.

I found this film alternately boring and off-putting, for the same reasons that I find explicitly pornographic films boring and off-putting. Films like this are repetitive, uninteresting, crude, simplistic, and not far enough removed from reality to make an interesting story. The characters are flatter than cardboard and are inherently uninteresting and unlikable.

At the bottom of it all, this film and any porn film you could name both have the same basic disdain for humanity - neither film is interested in showing respect or even acknowledgement of the complexity of human beings and how they relate to each other, or why they do what they do.

I should have just gone to bed. But I felt compelled to watch this thing to the end (and it seemed to go on forever) and analyze why I didn't like it. And now I'm wasting bandwidth and even more time telling you about it!

Next time I'll watch "24 Hour Party People" again - at least it's funny and has a great soundtrack.

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